Starring:- Rajinikanth; Vijay Sethupathi; Simran,Nawazuddin Siddiqui
Director:- Karthik Subbaraj G.
Music director:- Anirudh Ravichander
Review:- The previous few years have been unkind to a Rajini fan. After Endhiran, on the flip of the last decade, the Famous person did Kochadaiiyaan, a movement seize animation movie; Lingaa was a industrial movie that turned components right into a parody; and naturally, Pa Ranjith’s Kabali and Kaala, which introduced again the actor in him, could not resolve in the event that they needed to be a Famous person movie or a director’s movie. Even 2.Zero did not really feel like a Rajini movie. True, Rajinikanth is a superb actor in a sure sort of function, like those he performed in Mullum Malarum or Aarilirunthu Arupathu Varai, however come on, let’s be trustworthy, they don’t seem to be what made him THE Famous person. It was the movies like Murattu Kaalai, Moondru Mugam, Dharmathin Thalaivan, Annamalai, Baashha, and Padayappa… the place he was an entertainer first that put in a league of his personal.
Karthik Subbaraj, a self-confessed, die-hard fan, understands this. And that’s the reason Petta works. The essential plot is a reinvention of the Famous person‘s largest hit – Baashha. However Karthik Subbaraj introduces minor variations into this template and retains the movie from turning predictable. Petta succeeds the place Lingaa failed – it sticks to the components, nevertheless it additionally makes it really feel recent. Kaali (Rajinikanth) joins a university as a hostel warden and units issues so as in his personal playful means, taking part in Cupid to a younger couple (Megha Akash and Sanath), romancing the lady‘s mom (Simran) and placing the rowdy boys, headed by Michael (Bobby Simha) of their place. However there may be extra to him than meets the attention. And shortly, Kaali has to tackle Singhar Singh (Nawazuddin Siddique), a right-wing politician, and his violent son, Jithu (Vijay Sethupathi) in Uttar Pradesh.
Petta is extra a Rajini movie and fewer of a Karthik Subbaraj movie. What the director brings in are primarily his technical proficiency – there may be the unmistakable visible aptitude, and that is definitely the perfect wanting Rajini movie since Thalapathy (Tirru is the cinematographer) – his whole firm of actors, and fanboy zeal. And he provides Rajini followers their Thalaivar in the best way they’ve been dying to see him, celebrating the Rajinisms. At occasions, this provides a sense of the director checking off the want checklist of followers – asking the Famous person to carry out some comedy, kick butt within the motion scenes, utter punch dialogues, and most significantly, showcase his type… Even the casting of Simran and Trisha, two actresses who missed doing a movie with Rajinikanth, feels this fashion. Although each have little or no to do when it comes to plot, the scenes between Rajini and Simran are pleasant.
This method does make the movie really feel like a biggest hits compilation of Rajinikanth, however this isn’t a grievance. In reality, that is its largest plus. The references to Rajini’s earlier movies are whistle-worthy (just like the one the place he opens a gate, very similar to he did in his very first shot of his profession, or when he utters, “Ulle po”) or at the least carry a smile (when he playfully scares Munishkanth, saying, “Paambu paambu” and even the sight of Chinni Jayanth). Even the characters are a throwback… If Sasikumar’s Malik is a throwback to the Muslim buddy in Baashha, a pupil, whom Kaali has to guard, known as Anwar, the identify of the buddy in Baashha!
The movie does have its points, although, that are largely narrative. For one, it’s overlong. The plot takes some time to get going, and after some extent, the faculty scenes change into an overkill, primarily as a result of a lot of the characters are secondary characters. Anirudh’s songs, whereas peppy, aren’t actually obligatory, although Ilamai Thirumbudhe is a beautiful throwback to the Rajini of yore.
The antagonists, too, don’t really feel threatening, despite the fact that they’re performed by phenomenal actors. Nawazuddin’s Singhar is not any Mark Antony, and stays within the background. In the meantime, Vijay Sethupathi’s Jithu appears to exist primarily for the necessary Karthik Subbaraj twist…
However, the movie provides us the Thalaivar all of us love – in hundreds. And Rajinikanth has enjoyable taking part in the function, and exhibits us why he’s the Famous person. Proper from his opening punchline, “Naan veezhven endru ninaithaayo”, Petta is crammed with strains that make it clear for everybody that the Famous person remains to be – the one one, as he remarked within the latest 2.0 . And by the point he utters his ultimate dialogue, “Indha aattam podhuma kozhandhai”, we realise that the movie has additionally became a heartfelt dialog of types between followers and their Thalaivar.