Very not often does a movie handle to set a tempo that is the same as that of studying a novel. Whereas we’re speaking about two totally different mediums, and one can by no means be the identical as the opposite, movies usually are inclined to impress momentarily, leaving us with a brief-lived connection for the characters seen on display screen. It’d, subsequently, come as a problem for filmmakers to good that phantasm whereby the viewer feels a deeper bond with the characters seen on display.
Director Lenin Bharathi’s Merku Thodarchi Malai is one such uncommon movie that may gracefully transport you into its world from its very first body. Merku Thodarchi Malai, because the title signifies, isn’t just one individual’s story. It’s the story of a area, of its folks. If movies are sometimes constructed upon fictional narratives, Merku Thodarchi Malai appears like its story has been written primarily based on actual-life incidents, following actual characters.
Probably the most fragile, uncooked and easiest of characters carry ahead a compelling story that may’ve been unattainable to seize had the director solid properly–identified actors as a substitute. In that sense, the casting is flawless.
The dialog between Kazhudhkaara Mookkaiya and Vanakali (Pandi) is an interplay that brings out the essence of life on the mountains, of the form of friendship these males share. “You began earlier than daybreak, are you simply coming now Mookkaiya? You’re losing your time with these donkeys. I might’ve trekked up and down 4 instances by now,” boasts Vanakali.
“You’ve shrunk a lot strolling with these donkeys. If solely you carry the load in your again you would’ve come up swiftly, no?” he provides. For which Mookkaiya responds, “For the reason that time this path has existed, my donkeys and I’ve travelled like this solely. One, I ought to die or my donkeys ought to die. Till then I’ll preserve coming!”
This change effortlessly establishes the form of lives these males who trek up and down the mountain a number of instances a day, carrying heavy masses on their again, stay. What would their conversations be like? How do they handle to seek out some respite within the midst of heavy labour? That is their tea-time banter. One that may make you chortle at first after which really feel the ache within the intestine.
Vanakali is maybe the most effective character sketches on this movie. An especially effectively-choreographed shot follows the self-narration of his life story. As his story will get extra private, the digital camera pans upward. The consequence turns into among the best sequences seen on display screen in a really very long time.
The movie’s central plot follows Rangasamy, performed brilliantly by debutant Antony, a each day wage cardamom plantation labourer who desires of proudly owning a plot of land at some point. Woven round it is likely one of the most natural political layers that turns into inseparable from the story. Merku Thodarchi Malai can be residence to a number of naive, trustworthy and easy characters. These characters – Chakko (Abu Valayangulam), Eswari (Gayathri Krishna), Adivaram Paakiyam (Sornam), Kethara, Kankali (Anthony Vaathiyaar) are very important to the story and the movie is carried upon their shoulders fairly actually.
The cinematography is on a complete totally different league altogether. The frames are superbly composed, poetic. The lighting, color palette have all been set with nice experience, with an excellent eye for element. Cinematographer Theni Eshwar deserves all of the accolades which might be to come back his means.
Editor Mu Kasivishwanathan, too, has achieved a superb job in seamlessly composing all of the sequences collectively. The understanding of time is among the greatest achievements of this movie. No pictures are rushed. The cuts don’t choke you. The passage of time is retained fairly organically within the narrative. There’s not one free thread or scene to make you are feeling that the director has left a gap uncovered. The make-up, to point the passing of time, has been brilliantly executed.
Merku Thodarchi Malai has additionally captured the sounds of the mountains very properly. For its visible brilliance, this movie is one that may do with none background rating or music. However one hundred years of conditioning in Tamil cinema is but to alleviate us of this burden. In some locations, the violin and flute bits remind you that it’s certainly a Tamil movie that you just’re watching.
Merku Thodarchi Malai just isn’t a sob story. There aren’t any social messages on avenging delivered on the finish of it. The movie is extra of a mirror that’s turned inward to replicate on one’s personal ideas. It turns into a narrative that you’ll carry with you, maybe loads like these sacks of cardamom its folks carry.
The movie that was accomplished in 2016 has travelled internationally, successful a large number of accolades and nominations at Nationwide and Worldwide Movie Festivals up to now. Produced by Vijay Sethupathi Productions, the movie will hit the screens on August 24. Director Lenin Bharathi’s Merku Thodarchi Malai is without doubt one of the greatest movies in latest occasions, and a should–look ahead to Tamil audiences.
- Gayathri Krishna
- Abu Valayankulam
- Anthony Vathiyar
- ‘Late’ M.S. Lai (a) Sudalai
- Uoothu Rasa
- Thevaram Sornam
- Kodangipatti Mokkathayi
- Pallavarayan Patti Pandi
- Master Smith
- Theni Eswar